I’ve just finished Badger’s portrait – now mom & dad will get to have a look at a larger photo of the painting and see if there’s any tweaking before it’s “officially” done.

Quite invigorating to paint on cam again – it’s been a few years! Way back when, in the land of LiveJournal, I started watching Jasmine Becket-Griffith paint on cam, and thought it was the coolest thing so I had to go get a webcam and do it myself. I stopped because I had some funky people stalking me (I did it on Yahoo IM then, and would get IM’s during my painting sessions, not very productive)! So now this little do-hickey seems to do the trick, and I’ll be able to paint live without a problem. Yay!

I’ll scan and post details when all is said & done on Badger’s painting. If you tuned in while I was in the studio, thanks for stopping in – and I’d love your feedback on the cam!

Hey all, I’ll be finishing up Badger‘s portrait on cam if you’d like to have a peek see over my shoulder. I’ve tested my studio cam in both Firefox and IE and it appears to be showing up well and has a decent refresh rate. You can find it in my sidebar, top right.

I will try to leave a note in front of the cam if I’m going to be away for any extended period of time, and if I happen to shut it off (or if the puppy chews through my USB extension cables while I’m not looking), it’ll say “offline”.

I hope I turned the volume off, ’cause I’m sure you don’t want to hear me sing.

I love migration. It’s nature’s way of confirming spring has arrived when you see flashes of color out of the corner of your eye and have this dude reeeeaching his little head waaaay over so he can have a peek at the lady with the camera:

American Goldfinch, Male

And this guy, who I see flitting around in his typical skittish way, never too sure of what to land on until he hits a finch sock – then you couldn’t pry him off if you wanted to:

House Finch, Male

All of the other interesting birds will arrive soon and only be here for a week or so. Eastern Towhees, Grosbeaks, Creepers and Wrens will stop by, then my tried and true birds will stay here for the summer. This fella caught my ear while I was outside the other day:

Chipping Sparrow, Male

He was just singing away up in a tree, I did an overlay so you can see what he looks like singing, too.

I thought you’d like this one, since I was talking about how to identify males and females and mentioned the female Red Bellied Woodpecker had been by – but I hadn’t snapped a photo of her yet. I managed to do that the other day. Of course her hubby is here quite a bit, so here’s a new pic of him with her in the corner so you can see how they differ in appearances side by side:

And last, but not least, a squirrel with no tail. I have no idea what happened to him, and honestly it makes me sad to think about it.

It appears to be growing back, though, so I’ll be keeping an eye out for this guy (and yes, he’s a guy, he turned around and stood up and my eyes about popped out of my head), hopefully we’ll see some growth over the summer. I wonder how he communicates without his tail? Anyone know anything about squirrel behavior or communication to know how he might adapt to this injury?

I’ve just finished Badger’s underpainting. Now, don’t be frightened – I know it looks muddy and kinda blech right now, this will all be refined in the next stage, which is the addition of layers and layers of fur. She looks a bit flat, and a bit dark, and her eyes are not as glassy as they will be when I complete the portrait.

She is beauuutiful. I love Huskies, always have. When they are so well taken care of, like this one very obviously is, they are the most wonderful dogs. They love to please their parents and I’ve seen them become very sad and troubled when they go ignored. Very emotional creatures – and stunning, to boot.

I have tossed around the idea of painting on webcam again, especially since I’m working on so many portraits at the moment. I’ll definitely let you know if I decide to do that and give you a link so you can pop in and watch me painting live in my studio.

Yesterday I decided to just snap photos of Claire’s portrait as I progressed and show you all of the stages I go through during a drawing session. If you’re looking for a tutorial on how to draw a portrait, I’m not sure that I am a very good teacher – but if you pick up more on visual cues, you’ll be good to go.

My supplies are very simple – an Ebony extra smooth drawing pencil, a set of Kimberly drawing pencils (a nice variety of hard and soft leads for shading and defined lines), a white block eraser, a kneaded eraser, sharpener, acid free archival drawing paper and a sock, so you don’t get yourself too messy during the process.

I started out measuring and marking the size, 4″ x 6″ on my pad, and worked in the line drawing:

Back in the beginning of 2005, Karen came to me about her baby girl, Maddie, who passed over the rainbow bridge. I remember painting Maddie like it was yesterday – how she tugged on my heartstrings then, and how compassionate and loving I thought her Momma was to have her portrait done. Over the years, I’ve painted all of Karen’s pets and they have definitely all touched my heart and become an extended furbaby family to me. I think about her and her babies regularly, so it was very sad to hear that Callie had passed away.

Part of me was so torn yesterday when I started contemplating her background color. I wanted to paint her face on a cloud with a sky blue background, like Maddie. But I kept being pulled away from that thought and my mind filled with this gold color, a rich warm gold like sunshine was filling the canvas around her. That’s just how it happened, too.

Morris’ background is a really rich, beautiful and leathery chocolate brown color. He just kind of “gave” me this color. Let me try to explain how that works, because to me – the background color is just as much a part of the portrait as the subject itself. It is an extension, a mood. Color conveys feeling, and each pet says something different to me. They’re all individuals, so they deserve more than a standard blanket background color that matches the sofa.

Sometimes, the background color just comes to me while I’m looking at the photos I’ve been given to work from. His reference photo is a bit blurry and small, pixelated with a lot of flash. But even though the reference might be bad, the only thing I really need to see his his personality coming through in the photos. Knowing the anatomy of a cat is extra helpful, and I think since I’ve painted so many cat portraits – the anatomy is embedded in my mind now. With Morris, though, it was the personality that I saw that led me to mix this color for his portrait.

I just felt it, and that’s what I love most about what I do.

Simba doesn’t have much background since it’s a really nice & big macro of his kitty face, so the shot is more of a side view to show how the color wraps around the canvas edge. I chose this color because when looking at his photo, I was immediately drawn to this really cool shade of lime in the reflection of his eyes. Since he’s an orange tabby and he’s just got a hint of the lime in his eyes, it will really make him pop and give the portrait loads of dimension.